Before We Go Down in History (we have to make a living) I. Class Composition. Session 1
Activity
Tuesday, July 9, 2024

Before We Go Down in History (we have to make a living) I. Class Composition. Session 1

in progress
Still of Las reglas del juego (2022) direction María Ruido

Following the screening of The Rules of the Game and #PrecarityStory, we will speak with the directors about the emergence of a new artistic class consciousness.

dates
Tuesday, July 9, 2024
timetable
6:30 pm
location
Meier Auditorium
title
Before We Go Down in History (we have to make a living) I. Class Composition. Session 1
language
Spanish
price
Free entry. Book in advance
dates
Tuesday, July 9, 2024
title
Before We Go Down in History (we have to make a living) I. Class Composition. Session 1
timetable
6:30 pm
language
Spanish
location
Meier Auditorium
price
Free entry. Book in advance
with the support of

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them

Programme
Tuesday, July 9
18:30 – 19:15 h
Screening: The Rules of the Game. A conversation-performance in sequence shot about declassification, institutional violence and class performance between Brigitte Vasallo and María Ruido
The Rules of the Game is a conversation-performance in sequence shot between the writer and activist Brigitte Vasallo and the artist, filmmaker and researcher María Ruido about declassification, institutional violence and class performance. The Rules of the Game dives into the difficulties, conflicts and contradictions of class and gender related to the world of labour within the artistic and cultural sphere, and how, from a personal and intimate perspective, we attempt to respond to them.

This conversation stems from the idea that declassification is not only about enjoying other economic and social conditions. Declassification is also about taking on certain normativity that amputates the possibility of internal movement, which blinds and cancels something that belongs to you. Gesture and language must correspond to this new, entirely politica performativity, which speaks of the place you must occupy.

This piece was commissioned by Es Baluard Museu d’Art Contemporani de Palma and led to a solo exhibition of the same title between March and August 2022.

Production: Es Baluard Museu d’Art Contemporani de Palma
Year: 2022
Vídeo: HD / 40 mins
Script: Brigitte Vasallo and María Ruido
Direction: María Ruido
Cinematography: Biel Covas
Editing: Riki Peitx
Music: Dance of the Knights from the ballet Romeo and Juliet by Serguéi Prokófiev (1940), performed by the London Symphony Orchestra in 2008
(conductor Valery Gergiev)
19:15 – 19:40 h
Screening: #PrecarityStory. What do a cleaner and a researcher have in common?
#PrecarityStory tells the experience of Isabel, who teaches, does research and cleans all at the same British university. Her story is presented as an example of the growing informality of university work and its human consequences. Filmed during the United Kingdom university staff strikes between 2018 and 2020, this documentary exposes the little-known reality of the academic precariat and addsto the current public debate about the effects of neoliberal policies on British higher education.
 
Duration: 25 minutes
Country: United Kingdom / Spain
Year: 2020
Language: English / Spanish
Format: HD
Sound: Dolby Stereo
Colour
Co-direction: Lorena Cervera and Isabel Seguí
19:40 – 20:30 h
Debate: Lorena Cervera and María Ruido moderated by Alicia Escobio
Before We Go Down in History (we have to make a living) I. Class Composition. Session 1
4 artists
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